![]() The… other characters from the Disney family didn’t take kindly to him. Originally, Stitch’s creator Chris Sanders pitched the idea of him for a children’s book in 1985, a pitch that was unsuccessful… at least until Disney approached him. Whatever the movie, the seven standards were at the very least attempted. Others still followed them to the letter, like Tangled. Other movies purposely ignored some standards, such as Frozen. Some of these movies, like The Black Cauldron, failed to meet those standards. So far, countless Disney movies were given the treatment from me of being defined by those standards: Peter Panwas judged, Frozen, Tangled, and even the reigning Lion King were judged, even the lesser known The Black Cauldronwas placed before the defining and pivotal seven standards of Disney. The seven standards change and develop over time but the basic components remained the same, from the 30s till now. (Note: It never failed to work, actually.) In Frozen, that works, but sometimes it doesn’t. Sometimes, Disney sacrifices one standard for the enhancement of another. Thankfully, it never backfired on them before. The audience doesn’t need the same ‘true love’s kiss’ story a million times. When Disney movies repeat different themes in different ways, it runs the danger of being repetitive. This, perhaps, is what makes it a great movie. Make no mistake, Lilo and Stitch does indeed follow the traditional standards, just in its own way. They don’t always go by the seven standards I identified within Disney movies, at least not in the conventional sense. Lilo and Stitch: The Seven Standards of Disneyĭisney is always prepared to shake things up.
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